About
Conversations
I have always photographed people. Conversations
moves beyond the single image in portraiture. Through the use of multiple
images, I address the concepts of space, time, and context to capture
more accurately a person's character. In this series, I choose subjects
whom I have known for thirty minutes or thirty years. The work follows
the integrity of the conversation between photographer and subject resulting
in a visual totality, which reads like a book, a sheet of music, or a
grid. This series continues my passion to record the extraordinary emotions
of everyday people.

Since 2000, I have had Conversations with thirty-one
individuals. Thirteen of these Conversations are available for
viewing on this site and works
are available for exhibition.
Using only two rolls of film, 35mm format, over only fifteen minutes and
in natural light, I take pictures while talking with the sitter. I ask:
"Is there anything you would like to talk about?" and "Do we have permission
to talk about anything?" We have talked about alcoholism, incest, child
abuse, joys of living, infidelities, lovers' leaving, and living with
cancer. These conversations acquire a ceremonial, confessional aspect.
The names and specific topics of conversation are anonymous, to respect
the privacy of those photographed and to give viewers the license to make
up their own stories.
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"Gaudiani’s photographic installation…as
if in a cathedral of communication…was almost meditative….One might
expect the photographs in the installation to look like film stills
or pages from a highly detailed flip-book, but they don’t. There
is a sense of narrative and progression to them, but it in no way
drives the eye. In fact one of the greatest parts about these works
is that your eye can skip around, further abstracting the intricate
expressions and making them more like precious objects."
Meredith Goldsmith, Artweek, July/August 2004
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"You are trying to get to a reality in
portraiture grotesque poses as well as glamour."
Helen Vendler, 2003
"That one photographer chooses to stop
and to connect with these faces and the selves they reveal, offers
us an ongoing conversation to be part of and another way of moving
through the world."
Alison Nordstrom, 2004
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